2015, Experimental Film, 42 min. National Library, Museum of Language and the Book, Buenos Aires, Argentina.
 
In Blanchot in Buenos Aires (or The Writing to Come), philosophy, poetry, and conceptual art intertwine in a gesture of fictional archaeology. The film begins with the imaginary discovery of “The Blanchot Box,” an unpublished project supposedly commissioned by artist Alberto Greco in a letter to poet Ricardo Carreira. In the hands of a philosophy student, this apocryphal archive unfolds into a speculative space, where the voices of philosophers and poets—often anonymous—trace the possible resonances of Maurice Blanchot’s thought within Argentine theory and poetry.
 
It is not about documenting what was, but about imagining what could have been. The film activates a Blanchotian poetics in Buenos Aires: fragmentary, choral, without thesis or hierarchy, built through the drift of citations, images, and gestures. In this movement, writing becomes an aesthetic experience, and thought is breathed as a sensitive material—whispers, pauses, repetitions, silences.
 
More than representing, the work invokes an unavowable community in the Blanchotian sense: singularities meeting in the shared attention to a thought in flight. Blanchot in Buenos Aires is not a record of the archive, but a writing to come.