Hasta la Victoria Secret is a wall-based installation composed of direct quotes from far-right ideologues such as Steve Bannon, Nick Land, Curtis Yarvin (a.k.a. Mencius Moldbug), Julius Evola, and Bronze Age Pervert. Each phrase is handwritten in lipstick—shades of red, pink, and terracotta—across the pristine white walls of a gallery space. The result reads like a series of intimate whispers or stylized threats.

The installation plays on a double register: the violent, authoritarian content of the quotes clashes with the fragile, sensual act of their inscription. Cursive handwriting in cosmetic tones softens the brutality of the words, creating a charged tension between aesthetic seduction and ideological menace. This friction turns right-wing populism into a camp spectacle, where power is eroticized and its rhetoric becomes grotesquely decorative.

The title, Hasta la Victoria Secret, is an ironic twist on the revolutionary slogan “Hasta la Victoria Siempre.” Here, revolution is not represented through weapons or flags, but as a domestic, cosmetic, and desperate scene. The work poses unsettling questions: What is the role of desire in hatred? What is seductive about authoritarianism?

By transplanting these quotes into the gallery and rewriting them in lipstick, the work doesn’t parody—it exposes. It reveals the intimate, affective, and often gendered undercurrents of contemporary reactionary discourse